I first came across Tom Gauld’s work on Flickr, and once I started looking, I couldn’t stop. Tom works in the UK as a cartoonist and illustrator; counting The Guardian and the New Yorker among his clients. His comics are filled with robots, astronauts hapless personalities that combines innocence with wry wit – there’s so much eloquence in his panels, delivered in a deft swift kick. I read an interview from 2011 where he talks about what he does, and I wanted to share some snippets of the interview that I thought was really thought-provoking.
On his working process:
I sit and think and doodle in my sketchbook until I have a good idea. Then I’ll make rough pencil sketches on copier paper till I have things worked out visually. Then I hone these sketches on paper and in photoshop till I have a rough version of the image which I can send to anyone who needs to approve it. Then I will print out the image and use a lightbox to trace an ink version which I crosshatch then scan back into the computer where I can clean it up, tweak bits and add any colour. I love using the computer but I try to stay away from it till I’ve done most of the thinking for an idea, looked at it from all sides, because I feel that once the computer is involved things are on an inevitable path to being finished. Whereas in my sketchbook the possibilities are endless.
On illustrating a book cover versus a cartoon:
I feel more pressure doing a book cover than almost anything else, I think “This author has probably spent years writing this book: I mustn’t mess it all up with a crap cover”. So I have to try and find a way to react to the book and make something which is suitable, but is also strong and interesting in its own way.
On how Edward Gorey has influenced his work:
I like that what he makes is unclassifiable: he makes picture books for adults which aren’t comics, many are self-published but they’re beautifully produced. I love his drawing, the odd narratives, the design of the books, the compositions, the hand drawn typography: everything really. The way I crosshatch (with small “patches” of short lines rather than long ones) I learned from Gorey.
On what he thinks is next for books and print:
One thing which might happen with the rise of e-books is that the books that DO get published in paper may have to justify themselves by being better made, designed and illustrated. That would make me happy.
Read the complete interview here. Also: another in-depth interview about his comic-drawing process that’s really good.