Finding your ground

Joshua Gille

Joshua GilleIt’s funny – when I started writing more about process and creativity last year (it was a change of focus – I had been sharing images and works by others since this blog began); I felt a sense of relief. Relief because I felt that Pinterest, Twitter, Tumblr in some ways had replaced blogging (especially visual blogging) in many ways. The ease of sharing things online was exciting, and I felt that instead of just re-posting things on my blog, I was able to keep a virtual diary of sorts through these fragmented sites – it was a mere click away to publish (as opposed to formatting the images, making it web-friendly, accrediting it manually, etc) before it could be palatable and presentable as a blog post.

But then I found that noise crept in. Things were moving so fast. What was that I pinned yesterday? I couldn’t quite remember what it was that I found, that inspired me enough to click that button in a mere second. Likes. Pins. Follows. There wasn’t a lack of inspiration – instead it felt like I needed a breather from all that I was taking in. I couldn’t digest properly. It was as if I was at a buffet table and shoving everything into my mouth without biting, without feeling. Now I know what my students meant when they felt incapacitated by the web.

This is the web that they know.

But it wasn’t like this, as I remembered. I wish that things were simpler, like before. But things are going to move at an even quicker pace, and I can’t kid myself that it will work the way I want it. I’m all up for progress. Rather, it’s up to me to hold on to something that I can steady myself with, so I can spin along while being centered.

This blog is an ever-evolving experiment, and I like that I can play by my own rules.

So yes it’s a place where I can take things a little slower. To digest. To feel. To experiment.

That way I’ll know when to catch myself when I feel that things are spinning out of control. And that’s something I can hold on to.

SHARE WITH ME:

In a world where things seem to spin so fast, what keeps you grounded? What is the one thing that remains a constant for you – that centers you and helps you to keep going?

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[Illustration by Joshua Gille]

The one where I forgot where I was going, and how I talked myself out of it

Night Driving by John Coy, illustrated by Peter McCarty

Night Driving by John Coy, illustrated by Peter McCarty

I’m prone to bouts of forgetfulness.

If I had a fight with someone, I’ll forget what it was a few days later. Major ones take a few weeks, but then I rarely have those sort of arguments anyway.

I’d forget about where I put things when I was younger, and I would be so frustrated with myself that I came up with a system to make sure that it didn’t happen again. I’d mentally take a snapshot of when I do certain things so that I can revisit them in my conscious archives to see where things were. I also wrote things down in a list. “Moved diary to first left drawer on the right – check there”. I’d label things I couldn’t see through – boxes, envelopes, etc., just so I wouldn’t lose sight of what was in them; even if they were literally out of sight.

I’d forget if I locked my car, or if I left the gate open (every dog owner’s nightmare) – so I double check every time. Having certain rituals and being in the present when I’m locking the gate or being aware of my actions as I twist the key to lock the car helps tremendously in reducing the panic attacks that come with the sudden realization of things I might have forgotten to do. Stuff that when forgotten, leads me to imagine bad stuff happening that would leave me worked up, time and time again, which then leads me to ask myself why I let myself do this to myself… yet AGAIN.

And yet, with all these tactical action plans to keep myself in check, something managed to slip through the cracks. A big one too. Sometime between November and January, I forgot about where I’m heading, why I’m here and what I’m supposed to do next.

With things that happen on a daily basis, it’s too easy to fall into a pattern. Life moves along at breakneck speed, especially when you’re just a passenger strapped on for the ride. Somehow between that time, my grip on the driver’s wheel loosened and instead of eyeing the road ahead, I found myself curled up, peering out the side window instead of navigating my journey.

It was scary. It was as though I was in a bit of a haze, with short-term amnesia in a land where everyone knew my name and my purpose but me. Apparently a bout of viral fever, stomach flu, coupled with a succession of flu hits does that to the mind and body; in addition to time tending to family obligations and lack of rest. What a way to ring in the new year!

But then I slowly began to pick up the pieces.

It started with a Skype interview for SmArt Mouth Creatives by Cotey Bucket (here’s the iTunes version). During a mock rehearsal that I orchestrated a day before the interview (everyone does this right?) I began to remember things about myself that I had seemingly forgotten. In the end, doing the podcast and being interviewed was fun, cathartic, and like any good therapy, it left me exhausted but thrilled at my own progress. We talked about how Pikaland began, and what drove Work/Art/Play (my online class that was held in September last year – Cotey was one of the students I worked with).

That same week, I was also scheduled to meet two local writers who were looking to interview me for my work at Pikaland. It was the first time that I was going to be covered in depth at a local level and I was a little nervous. My stomach does a little flip each time I get recognized at an event. I get embarrassed easily, not knowing what to do with the attention – although it’s always fun in the end, and I forget all about my anxiety soon after (I’m forgetful, remember? It’s a blessing and a curse at the same time).

So I sat down with them and they were curious about everything I did. I answered questions from how it all began, what the blog meant to me, what my goal was – everything that I thought my mind had blocked out came back to me in a torrential swoosh. We talked for almost 3 hours, locked in a dialogue that felt like a reset on my brain. The more I talked, the haze that blurred my vision slowly dissipated; and when it lifted, I could see clearly the road that was in front of me all along.

It turns out that I left my car on auto-drive while I sat at the passenger seat and took a long nap.

No longer.

My hands are firmly on the wheel, and I’m ready to go, baby*.

*Baby is what I fondly call my 15-year old car.

SHARE YOUR STORY:

Where are you at right now? Are you a passenger in a moving car or are you manning your own chariot? Have you ever felt lost in your journey? What did you do to get through it? I’d love to hear your personal stories and/or advice!

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[Illustration above: Night Driving by John Coy, illustrated by Peter McCarty]

How to create great illustrations and comics

Brian Rea: Avoid This

I read a post by Seth Godin a couple of weeks ago, and in it, he mentions that:

“No one reads a comic strip because it’s drawn well.”

I almost yelled out a loud “YES!” (barred only by the fact that I was in a public place at the time) because that’s one of the main things I keep harping on and on about whenever I speak to students or people who tell me that their work isn’t good enough to be shown.

It’s not about coloring in the lines, nor making that perfect technically executed piece.

It’s not about making sure you’ve dotted out all your i’s and crossed all your t’s.

It’s not about comparing yourself to others, nor putting yourself up to impeccable standards set by others.

I’ve come across so many different illustrations, comics and graphic novels that might not be fit into the mainstream standard of “pretty” – but are powerful, thought-provoking and edgy. Here are a few examples:

Brian Rea: Avoid This

Avoid This – a collection of illustrations by Brian Rea (who also regular on the NYTimes, illustrating a segment called Modern Love)

Hyperbole and a half

Allie Brosh illustrates how dogs don’t understand basic concepts at Hyperbole and a Half

Amanda Vähämäki : The Bun Field

Excerpt from The Bun Field (published by Drawn & Quarterly) – a collection of five stories by Amanda Vähämäki

Kate Beaton

Historical figures with a twist of humor by the inimitable Kate Beaton

The Oatmeal - My Dog: The Paradox

The Oatmeal – a webcomic by Matthew Inman that pokes fun at almost everything under the sun.

Ryan North - Dinosaur Comics

Ryan North draws dinosaurs that talk in Dinosaur comics

Cyanide & Happiness

Rob DenBleyker for Cyanide & Happiness

It’s all about the story behind them that makes them stand out. 

Just think about it:

What makes you want to scribble your thoughts down so quickly that you don’t mind the messiness of the process? What experiences, thoughts and things that you want to say that you find yourself continuing your lines right off the edges of your sketchbook – just so you won’t have to turn the page and lose that train of thought?

What propels you get your ideas out there as fast as possible?

Great illustrations/stories/comics start with ideas first, execution second. If your idea doesn’t resonate with others, no amount of great execution can help – and on the other hand, if you have a great idea, execution is secondary to the transmission of the idea itself.

Your fans (or non-fans) will figure it out sooner or later, no matter if it’s the former or the latter.

More: Cyanide & Happiness

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