Dear students: Who says you need a degree to learn?

yvonne kroese

yvonne kroese

Dear students,

I like to challenge conventions and ideas all the time.

And one of the topics that I can quickly get hot under the collar about is the topic of education. I think it’s a field that needs to be challenged, especially in this day and age where information runs freely and so abundantly. I’m not against the idea of learning. Far from it – I’m challenging the idea that learning needs to be in a formal environment, for a minimum of 2 to 3 years, learning about things that ultimately do not help you get to where you want to be.

You see, I get a lot of questions about pursuing a Masters degree, or even a diploma in a field that they love. And if you’re a student who knows what you want, and you have the means to go to a college or university, then by all means, go for it. But only IF you want to and feel very strongly about it and know what you want to get out of it. For the rest who don’t know what you want or can’t afford to go to college or university, then this article is for you. For those of you who don’t know whether to continue your education or not, then this is for you too.

I spent 5 years in a public university and graduated as a landscape architect back in 2004. I spent my life following a very predictable arc – primary school, high school, university, and then work. Only I didn’t work in the field that I graduated from. I felt that I didn’t belong, and after 6 months of intense internship where I gave it my best shot, I’ve deduced that I’m not suited to being a landscape architect. I hated the long hours, and the red tape that governed each project. I hated dealing with contractors and having my design torn to shreds due to shrinking budgets. And I hated AutoCAD with every fibre of my being. So much that I did my technical drawings manually (i.e. completely by hand) during my final semester when everyone else was doing theirs via computer.

So when I graduated, I turned to publishing immediately. What made me go to a publisher with nary a resume and no work history to prove my worth? Instead of focusing on what I didn’t have, I demonstrated what I could do instead. I wrote up an article and laid it out in Adobe Photoshop, to give an idea of the sort of articles I think should appear on the magazine. I got a callback for an interview and was hired on the spot as an editorial assistant. You wouldn’t believe the amount of push back I got from my peers and my parents about going for a job that I didn’t learn about in university! People said it would never work, and that no one would hire me – not without a Mass Communication or a journalism degree. I challenged it and proved them wrong. Heck I even went on to start a magazine for a publisher, and worked as an editor!

Was my 5 years spent in university a complete waste of time? I’d say it’s split down to 50-50. Back then we didn’t have choices. And the internet was still in its infancy. So we followed along a very linear path – one that our peers took. And the ones that our seniors followed before that. I wish that I could cut the time I spent in uni in half, but it wasn’t something that I could control. I wished that I had travelled more and explored student exchange options overseas. But that’s basically it. The upside which I could control: I’m grateful for learning a bit more about fine arts, design and the experience of working in a studio, and for the friends I made along the way. I made sure I was in control of what I wanted to learn – I enrolled in a degree that taught me the basics of design and art, even though deep down I knew that I might not work in the field I studied in. The reasons for doing so was a little complicated – I didn’t have access to a lot of courses in public university, and I didn’t go to a private college because of financial restraints (I didn’t want to get myself or my parents in debt). I made sure that the lessons I learnt, however, can be applied to virtually anything I was interested in life.

And that’s what I want people to know.

That you’re in control of what you do. That you can choose to learn at your own pace and to create your own outcome. That you don’t need a title to define yourself – you’re better off focusing on the things you want to learn, rather than what you will be at the end of a degree. That you’re no longer following a linear path – you have a wide open field at your disposal. And yes, that may be terrifying at times, but it’s also a very exciting time.

I set up this blog in 2008 precisely because I didn’t know much about illustration. I wanted to learn more from the artists I saw online. I saw their work, and I devoured their statements and went looking for patterns in their work so that I could try to get a glimpse of why they chose to create the way they do. It was always about ideas, and never about techniques for me. And so for 5 years (it’s approaching 6 now!) I learnt on my own. I saw thousands of illustrations, read thousands of bios, artists statements and concepts; talked to hundreds of artists and learnt what I could about the business. And I want to give back to people, and show others that it can be done.

Here’s another example: 8 years ago, I learnt about HTML and CSS. And PHP. I remembered that I was so frustrated for three months because I couldn’t grasp the idea behind a content management system (CMS) – this was before the heyday of WordPress – and I wanted to have a blog designed the way I liked it but I couldn’t afford a web developer. And I couldn’t tolerate the ugly designs of shopping carts back then so I had to customize my own. I wrote to developers instead, asking about the big picture and why I can’t seem to wrap my head around the core function of a CMS. I asked people in forums newbie questions, and continued my relentless pursuit of information. And then one night in an eureka moment it all came together for me – I could piece together the information because I now understood what it all meant. I happily went to work on the website and learnt bit by bit everyday.

And it was the best feeling in the world – the thought that I could do whatever I wanted, if I put my heart into it.

And so can you.

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You may also find this useful: Our Good to Know series that asks artists about whether or not an art education makes a difference.
Illustration: Yvonne Kroese

[box icon=”heart”] Every week, I teach about the creative process of illustration at a local college. And when I come home, I realize that I’ve forgotten to point this out, or to remind them about something. Dear Students serves as my own personal compilation of thoughts, and is a series dedicated to students around the world who might find my musings useful. To read the entire series, click here. [/box]

Dear students: Don’t do seconds.

Bumblebee is my favorite Autobot!

Here’s a little conversation I had with a student a few weeks back:

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*A student was showing me his sketchbook for the assignment*

Me: Why do your robots look like the ones in Transformers?

Student: No it doesn’t.

Me: Yes it does. Are you telling me that your robots look better than Transformers – right now?

Student: Yes.

Me: Right. You think your robots are better looking than Transformers, when it’s not done nearly as well, but it has the same elements as their robots?

Student: Yes.

(At this point I almost wanted to gnaw at my fist which was hovering near my mouth)

Me: Why don’t you try drawing them in a different way? Why must your robot be the same as everyone else’s? Look at things differently. Why not offer your own opinion of what it should look like instead of following them to a T? Where’s your take in all this? What are you trying to say?

Student: Hmmm.

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I have more of these sort of hilarious exchanges (kids these days…) but, my point is this:

The challenge isn’t to be the second best at something. Why copy other people’s style and drawings – like manga? (I know some of you are going to shake your head at this, but it’s the easiest example I can muster!) Why should you try your darndest to produce a drawing that’s as close as realistically possible to what you see?

You’ll never be as good as a camera, that’s for sure.

You’re not going to be better than the best replicator out there, that’s for sure.

So why should you continue on a path that will set you to be the second best?

Why not be the best that YOU can offer? A different view. An interesting angle. A story. Something that’s uniquely yours – that no one can take away.

Get into the habit of creating so that others can only be second best when they’re up against you.

Now that’s something to shout about.

[ Bumblebee wallpaper via Wallsave ]

[box icon=”heart”]  Every week, I teach about the creative process of illustration at a local college. And when I come home, I realize that I’ve forgotten to point this out, or to remind them about something. Dear Students serves as my own personal compilation of thoughts, and is a series dedicated to students around the world who might find my musings useful. To read the entire series, click here. [/box]

Dear students: Money isn’t the source of your problem

James Gallagher

James GallagherDear students,

I’ve been thinking a lot lately, about your concerns and how I might be able to address them somehow. First and foremost on your mind is money – how to survive in the real world when you graduate. You’ve heard countless stories, I’m sure – of how it’s tough out there to make ends meet. There’s the usual horror stories of graduates getting sucked into some MLM/pyramid scheme, or where they inevitably get so burned out that they quit the industry to badger their relatives and friends to invest in insurance. You tell me that there’s two distinct choices: whether to be rich and miserable doing something you hate for the money; or to be poor doing what you love.

But the world isn’t all black and white.

And artists don’t have to starve to get to where they are. You can choose to be smart about it, unless you’re making a choice to suffer through the whole ordeal (needlessly, I might say). Because the point here is this: no one starts off being good at what they do. Not even Vincent Van Gogh. Not even Mozart. They practiced and practiced their hearts out and they might have been poor at least once in their life (I’m making this up, but I’m pretty sure of it).

Everything is fleeting – your problems, your growing pains, the awkwardness, being poor, being a terrible artist.

Money isn’t the source of all problems. Laziness, and fear of the unknown is – especially when you’re starting out. If you’re able to spend your time watching cats on YouTube (like this cat jump fail that made me gasp), you can certainly eke out some time to do something about your money fears. As for having unfounded fears, you need to get off the internet and do something about your situation instead of reading about things you can’t control.

To start off, how about earning money on the side while you figure out what it is you want? I’ve been a busser at KFC after secondary school for 3 months, clearing tables and cleaning up poo residue from under the table from parents who thought that the floor is a dumping ground for soiled diapers (it happens more often than you think). I’ve worked in retail, standing on my feet for 8 hours a day, attending to fickle customers and being a sentry – watching out for thieves hoping to fleece some chino pants. And I won’t mind doing either one again, if I really had no other choice. Why? Because I know it’s only temporary. And you should too. Everything is fleeting – your problems, your growing pains, the awkwardness, being poor, being a terrible artist. How you get past it is up to you.

How about creating your own products to sell? You might just get spare change, but you’ll get a whole lot of insight into what people want when you put yourself out there. Plus you’ll be able to flex that creative muscle of yours. Think local craft markets, art fairs, and of course, Etsy.

And how about making sure that you’re doing the best you can while you pound the pavement looking for work? Have you brushed up your portfolio, dusted off your LinkedIn page and created a blog? Have you bought this great resource book filled with contacts of people in the US and contacted the ones that interest you?

Don’t let the fear of starving stop you from creating the work you want others to see. For one thing, you won’t starve. Really. My best friend and I once were so poor as students that we only had RM2 (USD$0.60) between us to split lunch, but we managed, because a very nice lady who manned the economy rice stall took pity on us and heaped food onto our plates after we asked what we could buy for that amount – we explained that we used up all our money to buy books for the month (which was the truth). I’m not saying that you should all go out and beg – but I look back at that time and laugh, because we were so young, and naive. We asked for kindness and we got it in return. And we make sure to return the favor to whomever we come across that needs help, because we’ve been on the receiving end of kindness. Maybe being a bit naive isn’t such a bad thing.

But that’s a post for another day.

{ Collage illustration by James Gallagher }

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Every week, I teach about the creative process of illustration at a local college. And when I come home, I realize that I’ve forgotten to point this out, or to remind them about something. Dear Students serves as my own personal compilation of thoughts, and is a series dedicated to students around the world who might find my musings useful. To read the entire series, click here. 

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