I was speaking to a fellow well-known artist the other day – it was the first time I met him after conversing through email for the longest time. And it was just brilliant. I always love meeting new people – even though the relationship wasn’t technically new, the experience of meeting someone for the first time is something I treasure, because of the wonderful little surprises I know that lies in store.
Whether it’s nuggets of advice and inspiration, or a forging of new bonds; my mind just buzzes with excitement at the thought of hands that are extended in friendship, and where a new thread becomes interwoven in the colorful fabric that has become my life.
So we sat down and talked over lunch, and the more we talked, the more I was fascinated at his ideas. “All I wanted to do was draw,” said the man who turned to art after studying to be a mechanical engineer. “And now I can.” It was inspiring, and to which I thought was incredibly zen-like. My head was brimming with ideas on how he could take it further, and I told him what I was thinking of. He just shook his head and said “I’m happy at this point of my life – I am doing what I’ve always wanted to do. I’m drawing, and I’m earning a living for myself and my family. I don’t have to go big. I’m happy.”
If contentment had a face and a voice, it would be his.
His name? Lim Heng Swee of I Love Doodle.
You’ll be able to read more of our conversation through the Work/Art/Play online course that starts in September – sign up for more details when we launch in a couple of weeks!
Dutch illustrator Antigoon has recently curated an excellent looking new exhibition at Walls Gallery in Amsterdam, open until 24th August, as an extension of his Exquisite Corpse website (last image, shown below). I love referring to the Exquisite Corpse as a creative exercise in my classes and his website was able to showcase the illustrations brilliantly.
For his new exhibition, Antigoon asked ten of his favourite illustrators – including Hedof, Nick Liefhebber and Joren Joshua – to work together in two’s, and for each pair to create a limited edition risograph print together. Just like the online project, the illustrators worked in sequence, with one creating the top half of the print before passing it on to their partner, with the partner only allowed to see a very small slither of what had already been drawn. The result is 5 prints which can see in totality at his Behance page, which are also up for sale.
[Print #1: Nick Liefhebber vs. Olivier Vrancken; Print #2: Aron Vellekoop León vs. Hedof]
So you might notice that I’ve been a little quiet this week. It’s for a good reason – I’ve been busy putting together the data collected during the last survey (it’s the one that touched on money and income!) into a handy 32-page PDF that’s available for all to download.
I wrote down a few caveats for those who are interested in the results of the survey: the problems that went into it, and how I should have made it better. Some of the entries had to be discarded/disqualified due to technical errors, and while I was disappointed with that, I’ve learned to take this experience forward and have learnt how to avoid repeating the mistakes I’ve made the next time round. It was the first time I did such a survey and through your comments and suggestions, I learned a lot – so a big thank you to all of you who participated (and to those who chose not to, and wrote to me to tell me why!)
So without further ado, you can click on the below image to kickstart the process of downloading the survey! And remember, I’m always learning, so don’t hesitate to write to me if you have any suggestions or advice to share.
Have a great weekend folks, and I’ll catch up with you next week!