Exquisite Corpse curated by Antigoon

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Dutch illustrator Antigoon has recently curated an excellent looking new exhibition at Walls Gallery in Amsterdam, open until 24th August, as an extension of his Exquisite Corpse website (last image, shown below). I love referring to the Exquisite Corpse as a creative exercise in my classes and his website was able to showcase the illustrations brilliantly.

For his new exhibition, Antigoon asked ten of his favourite illustrators – including Hedof, Nick Liefhebber and Joren Joshua – to work together in two’s, and for each pair to create a limited edition risograph print together. Just like the online project, the illustrators worked in sequence, with one creating the top half of the print before passing it on to their partner, with the partner only allowed to see a very small slither of what had already been drawn. The result is 5 prints which can see in totality at his Behance page, which are also up for sale.

 

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[Print #1: Nick Liefhebber vs. Olivier Vrancken; Print #2: Aron Vellekoop León vs. Hedof]

When you’re not where you want to be

Pulling a Plant - Eleanor Taylor

The thought about being a landscape architect never once crossed my mind as I was growing up.

I didn’t spend my younger days thinking about how great it could be if I could be one – to spend my time designing gardens, parks and pockets of greens; carrying T-squares, measuring tape, wearing a hardhat and safety boot and all. So what made me write that down when it came to choosing what I wanted to do in university?

It was simple – I didn’t want to be stuck in a lab doing experiments (that’s all I thought scientists-to-be did back then). And I didn’t want to spend my time purely in lecture halls hashing out theories and being spoon-fed formulas. I wanted to learn about art and design, and that course was my one and only ticket.

Oh sure, I could hear you ask – why not just go to a college where you can pay to learn exactly what you want? I got an entry into the local university; and where I come from, to get that was as good as if you had struck lottery. The price of a degree at a private college could cost up to 10 times more than it did at a local university. I wasn’t about to go in debt by choosing to go to a private college, and I didn’t want to let my parents worry about funding expensive tuition fees only to get a piece of paper I might not end up using in the end (I was being realistic).

So I chose the best route to go about it. I knew I liked art and design – and if I were to chose a course within that university, the only one that was available to me was landscape architecture. I could learn about the fundamentals of art and design in a studio environment, I had access to art teachers and designers, I had more flexibility in how I scheduled things (studio-based classes meant that you had plenty of time to experiment with ideas); and I didn’t have to worry about money so much. I told myself I would figure out the rest later.

Four years later, when it came to deciding what I wanted to do after I graduated, I gave myself 6 months – it was when we had to be an intern at a real consultancy firm. The rules I gave myself were simple: give it my best shot, and if I still didn’t feel that it suited me, then I’m free to do whatever that I wanted. Six months passed – the boss’ firm passed me with flying colours and told others that I was one of the best interns he’s ever worked with. I left, happy.

It was also the last time I was a landscape architect.

“Why did you give up your degree?” was the common question I had in that first year after I graduated. “It was four years – all wasted, down the drain,” said others. Even my father was at a loss – he couldn’t understand why I would give up being a landscape architect. I could have a good job, a stable career. A title. I could be a professional. I could be Amy Ng, the Landscape Architect. I didn’t blame them at all – they didn’t know why I did it.

But I did.

Because when I went into the university to do a course on landscape architecture, I wasn’t looking to just be a landscape architect. I was looking to learn. I absorbed everything like a sponge – even the stuff that people didn’t care about. I inhaled snippets of knowledge and sniffed it out whenever I could. Lecturers were held hostage as I left them a barrage of questions. Little wonder that when it came time to decide to narrow down a focus for my final project, I went with campus design. I loved learning that much.

I went to the library often. I didn’t just go there to scoop up the latest architecture tomes – I went in to borrow books on art, illustration, cooking, exercise, writing and technology; all because I was curious. I maxed out my book limit every time because I there were so many things I wanted to know. I didn’t know where all of this digging would lead me, but I knew that deciding on a destination just because I was handed a ticket seemed silly.

Instead, I wanted to make my own fate. I didn’t know what I wanted to be when I grew up. And when I look at myself right now I’m still figuring it out – just like everyone else. I try hard to not confine myself to anyone else’s definition of success, and to stay true to myself by constantly asking myself what I want. Being happy was always my goal – and I’ve been incredibly lucky on that front. Somedays I still pinch myself to see if I’m dreaming.

So for those who feel as though they’ve been handed a curveball in life, or that they aren’t in the place that they want to be – I want to tell you this: you can’t control the cards you’ve been dealt, but you sure can change how you choose to deal with it.

Oh, and no one ever asks me about that degree anymore.

SHARE WITH ME:

Have you ever been in a less than ideal situation? How did you make the best of it? Share your story with me below in the comments! 

** NOTE: This post isn’t mean to discourage people to not go to private university or art school – I think that if you can then it’s great, but more importantly, for whatever reason at all that you can’t, it shouldn’t be the excuse that you use to not be able to get ahead. My experience and my views are strictly personal –  being where I am (Malaysia), this is how I chose to deal with my lot, so it bears repeating that my challenges may be different from yours. 

[Illustration by Eleanor Taylor]

Inspiration: Fashion

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[Richards NYC Spring 2014]

I’ve never been much of a fashionista.

After 5 years of wearing semi-corporate wear to work (I refused to wear greys and blacks and look all proper and “professional” – which was basically ironed shirts with collars and long pants), and then transitioning to comfy yoga-ish inspired clothing as I worked from home. Pajamas were game too during those beginning years, I won’t lie. I even found it hard to justify wearing any footwear that’s higher than 2 inches. Even if it looks amazing.

Maybe I was lazy. Maybe it’s because I was a practical person. Or maybe it’s because fashion wasn’t at all interesting to me back then. (Plus: I had an old knee injury from playing too much sports in school, so teetering around in heels was literally a pain.)

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[Source: Miss Moss]

Nothing much has changed now – I still want practicality when it comes to fashion. Shoes. Clothes. Accessories. I need the freedom of being able to move. It’s just that I’ve begun to look at fashion with new eyes: I could have all that I wanted – uninhibited movement, comfort and practicality – without having to compromise on how I looked. Oh sure, I didn’t care what other people think. But perhaps I could have it all and look smashing at the same time.  Double win!

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[Less by Maria Jennifer Carew]

Or maybe I’m lucky this season (and the few seasons before), because what I’ve seen on the runway is extremely likable in an offbeat way. You know – the kind of clothes that doesn’t need for me to have a perfect hourglass body to pull it off. The kind of clothes that doesn’t need me to stay in place to look pretty. Pretty colors and quirky shapes. Fun details and happy-inducing cuts. Beautiful, yet utilitarian. It’s also a relief to know that being practical is in this season – someone actually told me how much they loved my black leather strappy Crocs (I bet he didn’t know they were Crocs). Once I found out that fashion can be fun instead of scary, it takes on a whole new light. There is no wrong or right – anything goes.

I think that our bodies make great canvases – and our clothes, accessories and shoes all paint a picture that’s unique to each and every one of us. What shall we paint on ourselves today?

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[Marta Lugo’s hand sawed pins]

Maybe it’s the internet. Maybe it’s always been there, just that I wasn’t aware of it.

But right now, I’m inspired by it, and I have the internet to thank.

Thank you, thank you, thank you.

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Here’s more posts on fashion and more images I’ve collected on Pinterest. Happy Tuesday folks!