You know how when you start something in your sketchbook, thinking it’s a really good idea but you never get back to it? It feels like that for me sometimes. I’ve been doing a bit of traveling for events and talks, which while is really fun – I get to meet new (and sort-of-old) friends and I get to learn lots of new things – it can also cause a time-lapse of sorts when it comes to work. Before you know it, it’s one month of not publishing anything on the blog, a stand-still on a new project and a few missed emails here and there, which adds up to the uncomfortable feeling that you’ve dropped the ball – nay – not only have you dropped the ball, you’re looking around the floor wondering where all the balls went.
So this is me, easing my way back into a semblance of a routine.
Discovering the work of Madrid-born Isidro Ferrer made it all easier to jump-start my late start to the week, after 3 weekends in a row of exhausting (but good!) talks and conference, recovering from a long cold, a trip to see family, prepping for a new semester at work and the highlight of it all – finally putting in my dental implants (hooray!) It feels as though the buzz has just started to wear off as life calms down somewhat.
For Isidro, what I love about his work is the fact that he shows that he can do anything he imagines. From sculptures to paper cuts, to painting and the use of everyday objects, his ability to create characters and story that exists in a realm entirely of their own is super inspiring. Take for example, his work Funny Farm – a collection of handmade wooden dolls created for lighting company Luzifer. They’re a bizarre group of friends with identities and traits made even more lively with names like Smelly Fant, Mad Mouse, Ronny Rhino and Walking Fish.
Take a look at his portfolio and you can easily see for yourself the fantastical worlds and alternative realities that he has created for others and himself, evident through his background in graphic design, drama, stage design and illustration. It’s a timely reminder for me that creating art (and illustration) is merely one way of how we choose to interpret the world around us, and basically, we can create anything we want.
How do you jump-start yourself after a particularly exhausting stretch?